Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Scope and Contents From the Collection:

Scores (mostly published) owned by the conductor Fritz Reiner, many with his performance markings.

Scope and Contents From the Collection:

Scores (mostly published) owned by the conductor Fritz Reiner, many with his performance markings.

Scope and Contents From the Collection:

Scores (mostly published) owned by the conductor Fritz Reiner, many with his performance markings.

Scope and Contents From the Collection: Parts of this collection have been digitized and can be viewed here: John Cage Correspondence.The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art.  Early materials focus on family correspondence and newspaper clippings and are...

Scope and Contents From the Collection: Parts of this collection have been digitized and can be viewed here: John Cage Correspondence.The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art.  Early materials focus on family correspondence and newspaper clippings and are...

Scope and Contents From the Collection: The John Cage Ephemera Collection is wide-ranging in scope, including correspondence, photographs, writings, programs, scores, books, artworks, artifacts, and audio and audiovisual recordings. The Ephemera Collection was originally housed in 6 metal filing cabinets with little original order. A few items obtained from other sources have been added to this collection in later years, and are documented in the Immediate Source of Acquisitions note.Most of the collection is not Cage's...

Scope and Contents From the Collection:

The collection includes music in manuscript and published editions for solo piano, voice and piano, various solo instruments with piano accompaniment, a few chamber works, scores for ballets and plays and orchestral music.

Included in her papers are extensive notes and musical examples used in her lectures on Russian music and dance. Additional programs, notes, and some correspondence are also included.